![]() ![]() "Arbol Negro" is a good example, where the medium-tempo pace drives the reliance on a modal pulse which gives Genovese room to linger with lots of floating chords, akin to the kind of playing McCoy Tyner would dash off in support of his boss John Coltrane, the three in this trio in a kind of trance-like rumination. The contrast emerges in Genovese's own voice as he marks time with Cabaud's more plodding, abstract pen. ![]() From their new trio recording, Estrellero, which also features the light, sympathetic stylings of Marcos Cavaleiro on drums, are five original compositions split between pianist and bassist. It does as much amidst his voluminous solo work on bassist Demian Cabaud's "Arbol Negro," his thick chords, the density of his playing full and ripe. Leo Genovese's piano can sound like an orchestra.
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